Anna Rakitina takes a strikingly Classical approach to classics of Romantic repertoire, yielding significant details and ...

Paris Opera Ballet has triumphantly revived Kenneth MacMillan’s Mayerling, two years after its company premiere in 2022.

With gloriously inventive sets and costumes, Alex Esposito's splendid Four Villains drive a wonderfully entertaining new ...

Strong performances and powerful direction in Gothic Opera's premiere UK staging of Donizetti's Maria de Rudenz at Battersea ...

In addition to the New York premiere of Luca Francesconi’s Duende: The Dark Notes, the evening is marked by an intriguing ...

Buffetted from symphonies, opera and ballet to West End musicals, film scoring sessions, and maybe even Glastonbury, the life ...

Smiling through tears, crying through smiles, beauty in pain, it’s hard not to have that theme and its variations in your ...

The JACK Quartet gave an immaculate performance of a disastrously programmed concert last night at the 92nd St Y. While each ...

Stigma is a monumental work, with a wealth of serious reflection on where we are as the human race on a fragile planet.

Francesca Dego's dazzling performance of Mendelssohn’s Violin Concerto shares the stage with erotic Liszt and vivid Schubert.

A double bill of great contrasts, common ground[s] with Germaine Acogny and Malou Airaudo, and Bausch's Rite of Spring with ...

The Australian Ballet's first commissioned full-length work in 20 years, based on the life of Oscar Wilde, fails to fully ...